Historical Art of Catherine

Historical Images of Catherine 16th Century - 19th Century

Disputed image of either Catherine or Lady Jane Grey. The full-length format was very rare in portraits of this date, and was usually used only for very important sitters.	Lambeth Palace portrait. Probably painted around the time of her second marriage to Lord Latimer c. 1533.
Another disputed painting of Catherine Parr.	Parliament engraving of Catherine Parr, probably based on the portrait at left or the Master John (see below)
18th century engraving based on a painting of Catherine Parr, original from National Portrait Gallery, London.	19th century engraving
18th Century Sarah Essex depiction of Catherine.	18th-19th century engraving of Catherine. Depiction taken from an Original Portrait in Lambeth Palace. Along with her autograph.
Henry Pierce Bone (1779–1855) Portrait of a lady called Katherine Parr (1512-48) 1844 Enamel4.8 × 3.9 cmPurchased by Queen Victoria from the artist in 1844Signed, dated and inscribed on the counter-enamel: Katharine Parr/ London Febr 1844/ Painted by Henry Pier./ Bone Enamel Painter/ to Her Majesty & H.R.H./ Prince Albert &c. From/ the Original in/ Lambeth Palace.	Catherine Parr, Attributed to William Scrots c. 1545 oil on panel, circa 1545, 25 in. x 20 in. (635 mm x 508 mm). Purchased with help from The Art Fund, the Pilgrim Trust, H.M. Government and Gooden & Fox Ltd, 1968. Primary Collection, National Portrait Gallery 4618, London, England. On display in Room 2 at Montacute House.
<a class="external" href="http://www.historicalportraits.com/InternalMain.asp?ItemID=1200" rel="nofollow" target="_blank"></a> Catherine Parr (unknown artist, possibly after a lost original by Hans Eworth, painted about 1543-1547 (copy would be later) At right, the famous full-length portrait thought originally to be Catherine Parr, then Lady Jane Grey, and now again thought to be Queen Catherine. See Historical Profile of Catherine Parr for a full description from the National Portrait Gallery. The full-length format was very rare in portraits of this date, and was usually used only for very important sitters.
Miniature, in the style of Lucas Horernbout (Catherine Parr?)