Sign in or 

| over the centuries Click EasyEdit to add to this page! |
| Special Thanks to wikimember LNor19 for the slideshow |
| The Face of Anne Boleyn: Photoshop Reconstruction - thanks to Youtube user JudeMaris |
| c.1520 The Somerley Portrait Formerly attributed to Luca Penni Collection of the Earl of Normanton Somerley, Hampshire formerly identified as Lady Jane Grey but too early or possibly Catherine Parr but could it be Anne Boleyn? | 17th Century |
| The Nidd Hall portrait shows a woman similar to Holbein’s Jane Seymour but with an AB brooch has been identified as “The Most Excellent Princesse Anne Boleyn” but Roland Hui argues that her likeness has been derived from Henry VIII’s third wife, Jane Seymour. He notes that a variant of this portrait, an engraving by Renold Elstrack, showed the sitter with a squared jeweled tablet rather than an AB brooch, and that “the facial features found in the engraving and in the Nidd Hall picture are actually more in line with the Whitehall Jane’s than those of the NPG Anne.” | Compare these portraits below of Jane Seymour with the Nidd Hall Portrait on the left. |
| This is a portrait from Ludlow Castle [source: AnneBoleyn_Regina on Yahoo groups from trojan54uk.] *notice the location of her signature "B" | |
| painted in the Victorian era. In the NPG tradtion. | A Flemish portrait of Anne |
| Late 18th Century, English school | By unknown artist |
| Late 16th Century Either Anne Boleyn or Frances Walsingham, daughter of Queen Elizabeth's spymaster, although generally accepted as the latter. | |
| 17th century, by Frans Pourbus | by Alexander Guardassoni, Anne's frantic feeling of being deprived of the royal diadem Bologna 1843 oil on canvas, Establishment Gallery |
| DO NOT REDISTRIBUTE | |
| Portrait by French 19th century photographer E Neurdein. Created in his Paris studio. | |
| | |
| | |
| | |
| | |
| Drawing by Stanley Herbert from R.J Unstead's book, Crown and Parliament. | from the Museum of Ventura County |
| | By: Lida Baas |
| | |
| | |
| | Portrait of Anne Boleyn, second queen of Henry VIII, from "Memoirs of the Court of Queen Elizabeth" Artist: Sarah, Countess Of Essex |
| | |
| | |
| | |
| | |
| | |
| | |
| | |
| | |
|
Neta07 |
Latest page update: made by Neta07
, Jan 11 2012, 11:24 PM EST
(about this update
About This Update
13 words added 1 widget added view changes - complete history) |
|
Keyword tags:
anne boleyn
art galley of anne boleyn
henry viii
the tudors
tudor art
tudors
tudors online
More Info: links to this page
|
| Started By | Thread Subject | Replies | Last Post | ||
|---|---|---|---|---|---|
| LNor19 | Nidd Hall Portrait | 1 | Mar 4 2011, 6:01 AM EST by KingHenryVIII | ||
|
Thread started: Mar 3 2011, 8:52 PM EST
Watch
(Been forever since I last posted!)
I still believe the Nidd Hall portrait to be a contemporary of Anne Boleyn in her final years. Allison Weir alludes to to stress, which would fit with the final descriptions of Anne, as she had losing her beauty and becoming thin. But Allison isn't always the best source. There is an exceptional similarity between the portrait and the medal of Anne Boleyn, especially in the clothing and gable hood. As for the nose, Jane's nose is more straight, wider, and does not have a very rounded curve at her tip as the Nidd Portrait does and as does the NPG portrait of Anne Boleyn. And Jane's nose in the Whitehall copy curves down and out as opposed to the inward bridge of the Nidd Portrait. The eyebrows are also darker, longer, and slightly thicker than Jane's, however fit well with the NPG portrait of Anne. The eyes are also brown as opposed to light blue. The lips also favor Anne Boleyn; Jane has a very thin upper lip, her bottom lip reaches the corners and does not purse into a small smile/smirk as the lips in the Nidd and NPG portrait's do. I'd argue that the lips in the NPG and Nidd portrait are near identical. The portrait could be based off Jane Seymour by Holbein, but there many similaraties between the Nidd Hall portrait and the NPG and also the medal of Anne Boleyn. So much so that *I* believe it to be AB as opposed to JS or even based on JS. Hui brings up the engraving that could be the inspiration for the portrait and so on, but the Nidd Hall portrait is generally given to the 16th century, while the the Whitehall portrait is a 17th century copy of the original. Just some thoughts of mine, nothing definate. |
|||||
| Dagney | Which historical portrait of Anne Boleyn do you like to most? | 8 | Mar 10 2009, 10:29 PM EDT by AnneBoleynHero | ||
|
Thread started: Mar 10 2009, 5:55 AM EDT
Watch
There is uite much portraits of Anne, but much of them are just how Anne possibly could look like, not like she really did.Which one of existing portraits of Anne do you like to most? I like two of them.
1. http://savetheassistants.com/wp-content/uploads/2008/02/anne-boleyn.jpg Comes from 16th century, I like it because Anne is really pretty and mysterious here. 2.http://www.earlywomenmasters.net/cds/elizabeth/images/anne_boleyn_detail.jpg Sketch by Hans Holbein, the Younger, so I guess that she could look like this. And yours? |
|||||